SYMBIOSIS: Art in the Age of AI

Alexandra Dementieva, Anna Frants, Peter Friess, Aernoudt Jacobs, Eunsu Kang, William Latham, Lev Manovich, and Koen Theys

January 23 – March 29, 2025

The Sylvia Wald and Po Kim Gallery

417 Lafayette Street 2nd Floor

New York NY 10003 USA

The exhibition explores the complex and evolving relations between human creativity and artificial intelligence. It showcases a diverse set of works by contemporary artists who leverage AI as a collaborator in their artistic processes.

The exhibition explores the complex and evolving relations between human creativity and artificial intelligence. It showcases a diverse set of works by contemporary artists who leverage AI as a collaborator in their artistic processes.

“Symbiosis: Art in the Age of AI” is a platform for dialogue and exploration. Through this show, we aim to develop a deeper understanding of the symbiotic relationship between humans and machines, and demonstrate the wide range of possibilities for using AI in art. As opposed to only focusing on the currently popular type of AI technology (i.e., “generative AI”), we want to present a more broad conceptual and aesthetic landscape of AI arts.

The included artworks show diverse and unique manifestations of the symbiotic relationship between artificial and human intelligence. Every piece represents the combination of artificial intelligence’s computer power and sophisticated algorithmic thinking with human intuition, emotions, and concepts.

Artists are able to create new forms, explore new aesthetic possibilities, and push the boundaries of their work by utilizing various forms of AI. The included artworks employ a variety of AI techniques and instruments, such as natural language processing, machine learning algorithms, and generative adversarial networks (GANs). The resulting works demonstrate the great potential of AI to enhance human creativity, and they are as diverse as the tools that produced them.

Artificial intelligence traditionally aimed to replicate human cognitive abilities like vision, language comprehension, and problem-solving. Today, however, AI has expanded into simulating human aesthetic capabilities. Currently, millions of people use AI tools to create fiction, compose music, and generate simulated photographs and artworks in diverse styles. This radical technological shift in the realm of human aesthetics prompts many intriguing questions, compelling us to reassess our long-held assumptions and beliefs.

While AI implies technological simulation of human intelligence, its use by artists challenges this notion. Historically, art has been discussed using concepts like skill, imitation, mimesis, and taste, rather than “intelligence.” The emergence of AI in artistic creation prompts us to consider the concept of “artistic intelligence” and its potential meanings, with the artworks in this exhibition offering various perspectives on these questions.

Ferment: Metamorphoses and Reflections

 

 

 

 

December 6, 2022 – January 3, 2023
The National Arts Club
15 Gramercy Park South,
New York, NY 10003
Mon–Sun: 10 AM – 5 PM

Since its inception in 2007, CYFEST’s main concerns have been to examine the dialogue between various visual languages and technology cultures, and thus to explore a way of commoning with both art professionals and scientific communities. CYFEST unites artists, curators, educators, engineers, programmers and media activists all over the world, and creates an inclusive platform for mapping, mediation, and documentation of new media art on different regional and international levels. CYFEST is one of the world’s few nomadic cultural events: in 2022, an interdisciplinary program of exhibitions, performances, events and education workshops took place in Yerevan, Armenia; Dartington, UK; and Mesa, Arizona, USA. Over the year, the festival had partnerships with HayArt Cultural Center, Armenian Center for Contemporary Experimental Art NPAK, Dartington Trust, Arizona State University, Media and Immersive eXperience (MIX) Center, Kolodzei Art Foundation, and Leonardo ISAST.Titled Ferment, the 14th edition of CYFEST features an interdisciplinary group of artists and collectives whose works reflect the biological process of fermentation as an entry point in seeking new approaches to rediscover ways of perceiving and relating to the world. The works in the program demonstrate a wide range of cultural, scientific, ethical and aesthetic concepts of fermentation as a process of change for the living and the dead, human and non-human, color and smell, sounds and impressions.

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Drawing the Third Dimension Workshop

Frants Gallery Space will host Drawing the Third Dimension workshop exploring Max/MSP Jitter and OpenGL frameworks as tools for 3D video production on December 7.

Limited to 15 places this beginner’s workshop is organized by Ellen Pearlman and taught by Tommy Martinez. Ellen Pearlman is a New Media Artist, Writer, Curator, Critic, who gave a thought-provoking presentation on The New Aesthetic And The Digital Divide during CYBERFEST 2012. She is also a director and curator for the Volumetric Society, an eclectic group of innovators exploring the arts & sciences of a new world of natural user interfaces between body, brain, and spatially aware computing for the physical world. It is a platform for exchanging ideas and projects and getting exposed to the volumetric future the devices such as Kinect, Emotiv/MindWare, volumetric 3D displays, cameras and telematic interfaces.

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1998 - 2024