VISIONARY DREAMS #3245-3351

 

December, 23 2008 – January, 3 2009

BOREY ART CENTER
58 Liteyni Ave, Saint-Petersburg, 191104 Russia

«VISIONARY DREAMS #3245-3351»
Video Installations by Anna Frants in the gallery halls

The exhibition we present to you is a continuation of a well-known project successfully displayed in 2006 and 2007. Four gallery spaces dedicated to four video installations provide an immersive creative environment that leaves no viewer indifferent.

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CYBERFEST-2008

25-30 November 2008

FRANTS GALLERY SPACE
23/29 Rubinshteina St., Saint-Petersburg, Russia

The Youth Center of The State Hermitage Museum
 Griaznaya Gallery, LUDA Gallery

The Second International Cyber Art Festival

Robot animals by Zlata Ponirovskaya

Frants Gallery SPb, St. Petersburg Arts Project (NY), Russian National Center for Contemporary Art SPb, CYLAND MediaArtLab (RU) 

CYBERFEST is the first international festival of cyber art in Russia. It  was established in 2007 and organized on the basis of CYLAND Media Art Lab, a cooperation project of Russian National Center for Contemporary Art (Saint Petersburg, Russia) and the non-commercial organization Cyland Foundation Inc. (New York, USA). Continue reading “CYBERFEST-2008”

VLADIMIR KOZIN“RUBBERS”

Tuesday, August, 19 2008

FRANTS GALLERY SPACE
23/29 Rubinshteina St., Saint-Petersburg, Russia

Contemporary art exhibition “RUBBERS”
– rubber art objects by
Vladimir Kozin

It seems like galoshes were called product ”number one” by the language of soviet official papers. They were dull and unpleasant, according to those days fashion, but now they became amusing and even stylish. At the same time, it is a bit creepy thing, if you remember the unforgettable “Krasnyj Treugolnik” (“Red Triangle”) – a place of forced labor, called “chemistry”, where galoshes were produced. Rubber product “number two” was a condom ” an amusing, indecent and even secret, but very unpleasant thing, according to soviet way of thinking. Now it is banal, like a sugar candy. There are also enemas, pipettes, pacifiers, gas masks, police batons ” tools of salvation and suffering.

In short – rubber is not an ordinary material. Continue reading “VLADIMIR KOZIN“RUBBERS””

MARINA KOLDOBSKAYA AT FGS

Friday, March 28 2008
6:30 -10:00 pm

FRANTS GALLERY SPACE
81 Wooster St, New York, NY 10012 USA

MARINA KOLDOBSKAYA 

Marina Koldobskaya is contemporary Russian artist, based in St. Petersburg, Russia. Born in 1961 in Leningrad, USSRIn 1985, graduated from High School of Art and Design, n.a. V. Mukhina in Leningrad (now Academy of design n.a. A.Stiglitz), specializing in design.In mid-80es, in Perestroika time, started to participate in exhibitions as a freelance artist.

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MOSCOW-NEW YORK = PARALLEL PLAY

February – May, 2008

CHELSEA ART MUSEUM
556 West 22nd Street
New York, NY, USA

National Centre for Contemporary Arts (NCCA)
Chelsea Art Museum
Kolodzei Art Foundation (USA)
present an exhibition  “Moscow-New York = Parallel Play”
Selections from the Kolodzei Collection of Russian and Eastern European Art

The exhibition considers an artistic axis of two cities of eastern and western continents representing Russian artists living or working in these largest art capitals, and creating with their art an international context and distinctive intellectual plastic Russian “rhyme” in the international art community. It draws from the Kolodzei Collection of Russian and Eastern European Art, one of world’s largest private collections, with over 7,000 pieces by more than 300 artists from Russia and the former Soviet Union, chronicling four decades of nonconformist art from the post-Stalinist era to the present. Continue reading “MOSCOW-NEW YORK = PARALLEL PLAY”

Movement Perception

February 15-18, 2008

KRONSHTADT CYLAND RESIDENCE
2 Yakornaya St. Kronstadt
Saint-Petersburg, 197760 Russia

“Movement Perception” – an online interactive installation by media artist Sergej Kotsun

Project concept: displaying realtionship between the space and the viewer, changes of space in the process of perception viewer’s movements (motion, hand moving, etc…); development of system to perceive audio-visual art, where viewer becames the author himself, the main character of an interactive audio-visual performance. Continue reading “Movement Perception”

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